Here's one I've been meaning to do for a while, but as you'll know if you're even partially familiar with Tom Waits, he's not the easiest of characters to define.
And as with anyone of that ilk, I find myself going through phases related to individual clusters of his previous albums. Sometimes I'll like his early, croonish, folkier output with just him and a piano, and other times I'll be more drawn towards the insane stuff where it sounds instead like he's shouting into a megaphone while banging on a nearby pipe with a wrench. Of course, those are just the two most notable extremes of his remarkably unique body of work.
Judging from the shortlist of songs I made for this mix, it looks like I'm currently in the former of the two aforementioned phases. So this mix has a comparatively gentle feel to it, with the earlier blues-styles from Closing Time, The Heart Of Saturday Night, and Blue Valentine, and even the eerie, dour fairytales of Alice, pulling focus. Maybe when I'm feeling so-inclined, I'll come up with a less reserved selection of alternate Tom Waits songs from the raucous megaphone/wrench camp.
Without further stalling, here's the mellow Tom Waits tracklist:
- New Coat Of Paint (The Heart Of Saturday Night)
- Please Call Me, Baby (The Early Years Vol. 2)
- Alice (Alice)
- Time (Rain Dogs)
- All The World Is Green (Blood Money)
- I Hope That I Don't Fall In Love With You (Closing Time)
- Gun Street Girl (Rain Dogs)
- Blue Valentines (Blue Valentine)
- The Part You Throw Away (Blood Money)
- No One Knows I'm Gone (Alice)
- I Want You (The Early Years Vol. 2)
- Christmas Card From A Hooker In Minneapolis (Blue Valentine)